Skip to main content

Posts

New Freelance Job Site for Low Competition High Chance

  New Freelance Job Site for Low Competition High Chance Finding a new freelance job site with low competition and a high chance of landing gigs can be challenging, as the landscape is constantly evolving. However, here are some platforms that were gaining popularity in the freelance world as of my last knowledge update in September 2021. Keep in mind that the competitive landscape may have changed since then, so it's essential to do your research and stay updated on the latest trends in the freelance job market for 2024. Solid Gigs:  Solid Gigs is a subscription-based service that curates freelance job listings and sends them directly to your inbox. It's designed to save you time by providing quality leads, potentially reducing competition compared to open job boards. We Work Remotely:  While not entirely new, this platform focuses on remote work opportunities. Competition may be lower for specialized skills in industries such as tech, design, and marketing. Craigslist ...

Madhyamik o Uchchamadhyamiker pore kendriya sarkarer scholarshiper khoj

āĻŽাāϧ্āϝāĻŽিāĻ• āĻ“ āωāϚ্āϚāĻŽাāϧ্āϝāĻŽিāĻ• āĻ›াāϤ্āϰ-āĻ›াāϤ্āϰীāĻĻেāϰ āĻ•েāύ্āĻĻ্āϰী⧟ āϏāϰāĻ•াāϰেāϰ  āϏ্āĻ•āϞাāϰāĻļিāĻĒ āĻāϰ āĻ–োঁāϜ āĻĒ্āϰāϤি āĻŦāĻ›āϰ āϏাāϰা āĻĻেāĻļে āϞāĻ•্āώ āϞāĻ•্āώ āĻ›াāϤ্āϰ-āĻ›াāϤ্āϰী āĻŽাāϧ্āϝāĻŽিāĻ• āĻ“ āωāϚ্āϚāĻŽাāϧ্āϝāĻŽিāĻ• āĻĒāϰীāĻ•্āώা⧟ āĻŦāϏে। āĻ­াāϞোāĻ­াāĻŦে āĻĒাāϏ āĻ“ āĻ•āϰে। āĻ•িāύ্āϤু āĻ…āύেāĻ• āϏāĻŽā§Ÿ āĻ•েāĻŦāϞ āĻ…āϰ্āĻĨেāϰ āĻ…āĻ­াāĻŦে āĻĒ⧜াāĻļুāύা āϚাāϞি⧟ে āϝেāϤে āĻĒাāϰে āύা। āφāϜ āϤাāĻĻেāϰ āϜāύ্āϝ āφāĻŽাāϰ āĻāχ āĻĒোāϏ্āϟ। āϝāĻĻি āφāĻ—াāĻŽী āĻĻিāύে āϤাāĻĻেāϰ āĻ•োāύ āĻ•াāϜে āϞাāĻ—ে।  āĻāχ āĻĒোāϏ্āϟে āĻ•েāύ্āĻĻ্āϰী⧟ āĻ“ āĻĒāĻļ্āϚিāĻŽāĻŦāĻ™্āĻ—েāϰ āĻ›াāϤ্āϰ-āĻ›াāϤ্āϰীāϰা āĻ•িāĻ­াāĻŦে āϏ্āĻ•āϞাāϰāĻļিāĻĒ āĻĒেāϤে āĻĒাāϰে , āĻ•িāĻ­াāĻŦে āφāĻŦেāĻĻāύ āĻ•āϰāĻŦে āϤাāϰ āĻ•িāĻ›ু āĻ–োঁāϜ āĻĻেāĻ“ā§Ÿা āĻšāϞ।  āϝাāϰা āĻŦিāϜ্āĻžাāύ āĻļাāĻ–া⧟ āĻŽাāϧ্āϝāĻŽিāĻ• āĻ“ āωāϚ্āϚāĻŽাāϧ্āϝāĻŽিāĻ• āĻĒাāϏ āĻ•āϰেāĻ›েāύ āĻ“ āĻ—āĻŦেāώāĻŖা⧟ āφāĻ—্āϰāĻšী , āϏেāχāϏāĻŦ āĻŽেāϧাāĻŦী āĻ›াāϤ্āϰ-āĻ›াāϤ্āϰীāϰা āϏ্āύাāϤāĻ• āĻĨেāĻ•ে āϏ্āύাāϤāĻ•োāϤ্āϤāϰ āĻŦিāĻ­াāĻ—ে āĻ•েāύ্āĻĻ্āϰী⧟ āϏāϰāĻ•াāϰেāϰ āĻĢেāϞোāĻļিāĻĒ āĻĒেāϤে āφāĻŦেāĻĻāύ āĻ•āϰāϤে āĻĒাāϰেāύ -āĻ•িāĻļোāϰ āĻŦৈāϜ্āĻžাāύিāĻ• āĻĒ্āϰোā§ŽāϏাāĻšāύ āϝোāϜāύা āϤāĻĨা āĻ•ে.āĻ­ি.āĻĒি.āĻ“ā§Ÿাāχ. āϝোāϜāύাāϰ āϜāύ্āϝ। āĻ•েāύ্āĻĻ্āϰী⧟ āϏāϰāĻ•াāϰেāϰ āĻŦিāϜ্āĻžাāύ āĻ“ āĻĒ্āϰāϝুāĻ•্āϤি āĻŦিāĻ­াāĻ— āωāϚ্āϚāĻļিāĻ•্āώা āĻ“ āĻ—āĻŦেāώāĻŖা⧟ āφāĻ—্āϰāĻšী āĻ•āϰে āϤুāϞāϤে āĻ›াāϤ্āϰ-āĻ›াāϤ্āϰীāĻĻেāϰāĻ•ে āĻāχ āϏ্āĻ•āϞাāϰāĻļিāĻĒ āĻĻেāύ। ⧧⧝⧝⧝ āϏাāϞ āĻĨেāĻ•ে āĻāχ āĻĢেāϞোāĻļিāĻĒ āĻĻেāĻ“ā§Ÿাāϰ āĻŦ্āϝāĻŦāϏ্āĻĨা āϚāϞে āφāϏāĻ›ে।  āĻāĻ•āϟি āϏāϰ্āĻŦāĻ­াāϰāϤী⧟ āϏ্āϤāϰে āĻĒ্āϰāĻŦেāĻļিāĻ•া āĻĒāϰীāĻ•্āώা āĻ“ āχāύ্āϟাāϰāĻ­িāω āĻāϰ āĻŽাāϧ্āϝāĻŽে āĻĒ্āϰাāϰ্āĻĨী āĻŦাāĻ›াāχ āĻ•āϰা āĻšā§Ÿ।  āĻĢেāϞোāĻļিāĻĒেāϰ āϜ...

ADHUNIK SIKSHAY TATHYA BISHLESHONKARI

                                       āφāϧুāύিāĻ• āĻļিāĻ•্āώা⧟  āϤāĻĨ্āϝ āĻŦিāĻļ্āϞেāώāĻŖāĻ•াāϰী  āφāϜāĻ•েāϰ āφāϧুāύিāĻ• āϏāĻŽাāϜে āĻļিāĻ•্āώা āĻĨেāĻ•ে āϏ্āĻŦাāϏ্āĻĨ্āϝ , āφāĻŦāĻšাāĻ“ā§Ÿা āĻĨেāĻ•ে āĻĒāϰিāĻŦেāĻļ , āĻ–েāϞা āĻĨেāĻ•ে āĻĒāϰ্āϝāϟāύ āϏāĻŦ āĻ•্āώেāϤ্āϰে āϤāĻĨ্āϝ āĻŦিāĻļ্āϞেāώāĻŖāĻ•াāϰীāĻĻেāϰ āϚাāĻšিāĻĻা āφāĻ•াāĻļāĻ›োঁ⧟া āĻšā§Ÿে āĻĻাঁ⧜ি⧟েāĻ›ে। āϤাāχ āĻāχ āĻŦিāώ⧟ে āĻĒ⧜াāĻļোāύা āĻ•āϰāϤে , āĻ•োāϰ্āϏāϟিāϰ āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻŦিāĻļāĻĻে āϜাāύāϤে āφāϜāĻ•েāϰ āĻāχ āĻĒ্āϰāϤিāĻŦেāĻĻāύেāϰ āĻ…āĻŦāϤাāϰāĻŖা। āϝেāĻ•োāύ āĻĻেāĻļেāϰ āϏāϰāĻ•াāϰ āĻĨেāĻ•ে āĻļুāϰু āĻ•āϰে āĻŦিāĻ­িāύ্āύ āĻ•োāĻŽ্āĻĒাāύী āϤাāĻĻেāϰ āĻĒāϰিāĻ•āϞ্āĻĒāύা āϰূāĻĒা⧟āύে āĻŦিāĻ­িāύ্āύ āϏংāĻ—ৃāĻšীāϤ āϤāĻĨ্āϝেāϰ āĻŦিāĻļ্āϞেāώāĻŖ āĻ•āϰে āϏিāĻĻ্āϧাāύ্āϤ āĻ—্āϰāĻšāĻŖ āĻ•āϰে।  āφāϰ āĻāĻ–াāύেāχ āĻĻāϰāĻ•াāϰ āĻĒ⧜ে  āϤāĻĨ্āϝ āĻŦিāĻļ্āϞেāώāĻ•েāϰ। āφāϰ āφāĻŽাāĻĻেāϰ āĻĻেāĻļ āϤো āĻŦāϟেāχ āĻŦিāĻĻেāĻļেāĻ“ āĻāχ āĻŦিāώ⧟েāϰ āĻ“āĻĒāϰ āϚাāĻšিāĻĻাāϰ āϤুāϞāύা⧟ āĻĒ্āϰ⧟োāϜāύী⧟ āĻĒ্āϰāĻļিāĻ•্āώিāϤ  āĻŽাāύāĻŦ āϏāĻŽ্āĻĒāĻĻেāϰ āϏংāĻ–্āϝা āĻ•āĻŽ।  āĻ­াāϰāϤে āϟাāϟা āĻ•āύāϏাāϞ্āϟেāύ্āϏি āĻĻেāĻļেāϰ āĻ•ā§ŸেāĻ•āϟি āĻļিāĻ•্āώা āĻĒ্āϰāϤিāώ্āĻ াāύেāϰ āϏāĻ™্āĻ—ে āϝৌāĻĨāĻ­াāĻŦে āϏ্āύাāϤāĻ•োāϤ্āϤāϰ āĻĄিāĻ—্āϰী āĻ•োāϰ্āϏেāϰ āĻŦ্āϝāĻŦāϏ্āĻĨা āĻ•āϰে। āϰাāĻŽāĻ•ৃāώ্āĻŖ āĻŽিāĻļāύ āĻŦিāĻŦেāĻ•াāύāύ্āĻĻ āĻāĻĄুāĻ•েāĻļāύাāϞ āĻāύ্āĻĄ āϰিāϏাāϰ্āϚ āχāύāϏ্āϟিāϟিāωāϟ , āϏেāύ্āϟ্āϰাāϞ āχāωāύিāĻ­াāϰ্āϏিāϟি āĻ…āĻĢ āϰাāϜāϏ্āĻĨাāύ , āĻŦ্āϝাāĻ™্āĻ—াāϞোāϰেāϰ āϜিāĻ—āϏ  āĻāĻ•...

CHANDRAYAN -2 O TAR LAKSHYA

                                               āϚāύ্āĻĻ্āϰāϝাāύ -⧍ āĻŦāĻšু āĻĒ্āϰāϤীāĻ•্āώাāϰ āĻĒāϰ āĻ…āĻŦāĻļেāώে āφāĻŽāϰা āϏেāχ āϏāύ্āϧিāĻ•্āώāύে āĻĒৌঁāĻ›ে āĻ—েāϞাāĻŽ। āĻ­াāϰāϤী⧟ āĻŽāĻšাāĻ•াāĻļ āĻ—āĻŦেāώāĻŖা āϏংāϏ্āĻĨা āχāϏāϰো āĻ­াāϰāϤāĻŦāϰ্āώāĻ•ে āĻŦিāĻļ্āĻŦেāϰ āĻĻāϰāĻŦাāϰে āĻāĻ• āύāϤুāύ āĻĒāϰিāϚ⧟ āĻāύে āĻĻিāϞ। āφāϧুāύিāĻ• āĻĒ্āϰāϝুāĻ•্āϤিāĻŦিāĻĻ্āϝা⧟ , āĻŽāĻšাāĻ•াāĻļ āĻ—āĻŦেāώāĻŖা⧟ āĻ­াāϰāϤ āφāϜ āϏাāϰা āĻŦিāĻļ্āĻŦেāϰ āĻĻেāĻļāĻ—ুāϞিāϰ āĻ•াāĻ›ে āĻāĻ• āĻŦিāĻļেāώ āϜা⧟āĻ—া āĻ•āϰে āύি⧟েāĻ›ে। āφāϜ āĻ­াāϰāϤেāϰ āĻ…āĻŦāϏ্āĻĨাāύ āϏাāϰা āĻŦিāĻļ্āĻŦে āϚāϤুāϰ্āĻĨ। āĻļুāϧু āϤাāχ āύ⧟ 'āχāϏāϰো 'āĻāϰ āύেāϤৃāϤ্āĻŦে āĻ­াāϰāϤ āĻāϰ āφāĻ—ে āϝে āϚāύ্āĻĻ্āϰ āĻ…āĻ­িāϝাāύ āĻ•āϰেāĻ›িāϞ āĻ…āϰ্āĻĨাā§Ž āϚāύ্āĻĻ্āϰāϝাāύ -ā§§ āĻ…āĻ­িāϝাāύ āϝে āϏাāĻĢāϞ্āϝ āĻāύে āĻĻি⧟েāĻ›িāϞ- āϤা āĻ…āĻŦāĻļ্āϝāχ āύāϤুāύ āĻĻিāĻ—āύ্āϤ āĻ–ুāϞে āĻĻি⧟েāĻ›িāϞ- āĻŦিāĻļেāώāϤ āϚাঁāĻĻ āϏāĻŽ্āĻĒāϰ্āĻ•ে।  āϚāύ্āĻĻ্āϰāϝাāύ -ā§§ āϜাāύি⧟েāĻ›িāϞ āϚাঁāĻĻে āĻŦāϰāĻĢেāϰ āĻ…āϏ্āϤিāϤ্āĻŦ āϰ⧟েāĻ›ে।āϝাāχāĻšোāĻ• āĻāĻŦাāϰ āφāϏা āϝাāĻ• āϚāύ্āĻĻ্āϰāϝাāύ -⧍ āϏāĻŽ্āĻĒāϰ্āĻ•ে। āĻĒ্āϰāϏ্āϤুāϤিāĻĒāϰ্āĻŦ :  āĻĻিāύāϟা āĻ›িāϞ āϏোāĻŽāĻŦাāϰ। āĻ…āύ্āϧ্āϰāĻĒ্āϰāĻĻেāĻļেāϰ āĻļ্āϰীāĻšāϰিāĻ•োāϟা। āϏāϤীāĻļ āϧাāĻ“ā§Ÿাāύ āϏ্āĻĒেāϏ āϏেāύ্āϟাāϰ। āϏাāϰা āĻ­াāϰāϤāĻŦāϰ্āώ āĻļুāϧু āĻ•েāύ - āϏাāϰা āĻŦিāĻļ্āĻŦ āϤাāĻ•ি⧟ে āϰ⧟েāĻ›ে āĻāχ āϏ্āĻĒেāϏ āϏেāύ্āϟাāϰেāϰ āĻĻিāĻ•ে। āĻ•ি āĻšā§Ÿ ! āĻ•ি āĻšā§Ÿ ! āĻŽাāϤ্āϰ āĻāĻ• āϏāĻĒ্āϤাāĻš āφāĻ—ে āϏাāĻŽাāύ্āϝ āϝাāύ্āϤ্āϰিāĻ• āĻ—োāϞāϝোāĻ—েāϰ āĻ•াāϰāĻŖে āϝাāϤ্āϰা āĻŦāύ্āϧ āĻ•āϰ...

RATHA YATRA O KICHHU KOTHA

                                                        āϰāĻĨāϝাāϤ্āϰা āĻ“ āĻ•িāĻ›ু āĻ•āĻĨা āφāĻŦাāϰ āĻĒ্āϰāϤি āĻŦāĻ›āϰেāϰ āĻŽāϤো āĻāϏে āĻ—েāϞ   āϰāĻĨāϝাāϤ্āϰা āĻ‰ā§ŽāϏāĻŦ ।āϤাāϰāχ āϏ্āĻŽৃāϤি āύি⧟ে āφāϜ āϤোāĻŽাāĻĻেāϰ āĻļোāύাāĻŦো āφāĻŽাāϰ āϚোāĻ–ে āϰāĻĨ āϝাāϤ্āϰাāϰ āĻĻুāχ-āϚাāϰ āĻ•āĻĨা।  āĻĒ্āϰāĻĨāĻŽেāχ āφāϏা āϝাāĻ• āĻĒুāϰীāϰ āĻ•āĻĨা⧟ :   āĻĒ্āϰāϤ্āϝেāĻ• āĻŦāĻ›āϰ āφāώাā§ে āϜāĻ—āύ্āύাāĻĨ āĻĻেāĻŦেāϰ āφāĻŦিāϰ্āĻ­াāĻŦে āĻŽāύāϟা āϏেāχ āĻ›োāϟ āĻŦেāϞা āĻĨেāĻ•ে āφāĻ•ুāϞ āĻšā§Ÿে āĻ“āĻ ে। āϤাāϰ āϏāĻŽ্āĻĒāϰ্āĻ•ে āϜাāύাāϰ āϝেāύ āĻļেāώ āύাāχ , āĻĒ্āϰāĻļ্āύেāϰ āϝেāύ āĻŦিāϰাāĻŽ āύাāχ। āϤাāχ āĻŦিāĻļেāώ āĻĻেāϰি āύা āĻ•āϰে āϤা⧜াāϤা⧜ি āĻ•āϰে āĻ—েāϞাāĻŽ āĻŦা⧜িāϰ āύাāϟāĻŽāύ্āĻĻিāϰে। āϏেāĻ–াāύেāχ āφāϜ āĻŦāϏāĻŦে āĻļ্āϰী āĻļ্āϰী āϜāĻ—āύ্āύাāĻĨ āĻĻেāĻŦেāϰ   āϰāĻĨāϝাāϤ্āϰা āϰ  āĻ•াāĻšিāύীāϰ āφāϏāϰ। āĻ—āϞ্āĻĒেāϰ āĻŽāϧ্āϝে āĻĻি⧟ে āĻĒুāϰীāϧাāĻŽ āύি⧟ে āĻ•āϤ āĻ•āĻĨা āĻļোāύা āĻšāĻŦে। āϰāĻĨ āύিāϰ্āĻŽাāĻŖ āĻ•াāĻšিāύী , āĻļāĻŦāϰāĻĻেāϰ āύি⧟ে āĻ•াāĻšিāύী , āĻŽূāϰ্āϤি āϤৈāϰীāϰ āĻ•াāĻšিāύী , āϰāĻĨ āϟাāύাāϰ āĻ•াāĻšিāύী - āφāϰো āĻ•āϤ āĻ•ি। āĻŦাāϰে āĻŦাāϰে āĻāĻ•āχ āĻ—āϞ্āĻĒ āĻļুāύāϞেāĻ“ āĻĻাāĻĻুāϰ āĻ—āϞা⧟ āύাāϟāĻŽāύ্āĻĻিāϰে āĻŦāϏে āĻāϤো āϞোāĻ•েāϰ āϏাāĻĨে āϰāĻĨāϝাāϤ্āϰাāϰ āĻ•াāĻšিāύী āĻļোāύাāϰ āϏ্āĻŦাāĻĻ āϝেāύ āĻ­িāύ্āύ āĻĒ্āϰāĻ•ৃ...